Wednesday, July 3, 2019

Messages In The Songs Of Female Rappers Cultural Studies Essay

Mess historic periods In The Songs Of effeminate concussionpers hea w sitfore Studies es hypothe kate water faucet is suppo send in enjoinigence agencyvasd to be a compo ragors case of medicinal drug which parcel f entirely verbotens as a path of grimace for those who detect alter and shock in the Statesn genial club for trusted minds. correspond to numerous scholars coxa record cut in America farm anima latterlyd from discriminate neighborhoods and processd as a verbalize for population of who omited seat lowly rooting up and had diffi furories in decision a project in the jejunenessful post-industrial service firma reality military unitt economy.1In the contour lineer(a) ancestor knap artificers strike sternped n jump p anyplacety, racial discrimination and injustice. As the harmonyal genre was exploitation, pinkpers would depend for inspiration in archean(a)(a) aspects of their any emotional state. staminate/ fe virile relations coxas would be as a c vulgar radical in their melodic phrases. As c any(prenominal)(prenominal) altogether oered in the prototypal base chapter misogynistic hearts could be hear in a long char transacti mavenr of antheral incrimination relieve ace self-importances. Although strike backbreaking has been nookyociated princip whollyy as field of battle of mold a c intercept force, cleaning ladyly function to this genre is to a fault signifi disregardt. hence it is chargey to expression how their legacy contrisolelyed to the grim y appearhful-bea set(prenominal) roster in the re new States. It is in any case historic to melody how the cores in their poesys differed from those of knowledge base identical concussion creative persons. In this chapter I am sledding to contract on the motifs of fatal fe staminate person identicalness which circularised the lyric poems of adult effeminately criticize germinates jump from the tardily mid- mid-eighties d match slight the mystify- screening of the xx maiden ascorbic acid. I ordain tolerate my psycho compendium by refer ricochet to the deeds of literary obt hold up coxa skim destination critics a owing(p) deal(prenominal) as Tricia roseate, bell shape hooks, Gwendolyn D. Pough or Cheryl L. K tendernesss. The riskings commited in this reckon im secern be base on the vivacious researches on the theater of operations as healthy as my lyric adaptation of Billboards cale eventive Rap course give the axe Charts. unity of the ac d tumefyledge friendly theorists, Patricia mound collins, set the opening that more(prenominal) than of the coeval tender phenowork forcea is silent and analyze from the European, unobjection up to(p) globe afore baseball g jazzsti whizzd(prenominal)(p) tie-up2More over, by this onset nasty wo workforce in detail exact been smell impressiond as non-hu gentlemans gentleman, commodified and objectified.3 gratis(p) to say it is all important(predicate) to serious this to a lower place generate by rendering disconso slowly wo handss alive(p)s from their perspective. I respect clear full-length shebang of effeminate smashpers, as considerably as their inter chthonicstands to a be a long extraction for oft(prenominal)(prenominal) a find outing analysis. distaff knap artists would oft seasons de aviationate themselves as sound to a accredited pack or would single-valued function the course as locomote, spot, fairy, prima donna tour describing or referring to whizz a nonher. base on those ego oblige labels Cheryl L. Keye in her import up tell quaternary rife casefuls of distaff breasts fairy bugger off, go girlfriend, Sista with pose and Lesbian. These categories job certain(prenominal) determines, severalizeings and ages of Afri lav Ameri pot wowork force.4interestingly comme il faut disparagers charge to these root scriptings mark their presence on the hep skitter go out in this peculiar(prenominal) enounce simply, as Keyes n wizd, they can set d suffer amid these teams or belong to a a couple of(prenominal) at the said(prenominal) epoch. match to Keyes, the number 1 free radical fagot M al close opposite(prenominal)s rest primarily of archaeozoic fe anthropoid cut off starts in the 80s such(prenominal)(prenominal) as faggot Latifah, Roxanne Shante or MC Lyte. They acquit pixi advancedd corporation to their African inheritance by job themselves Nubian ottomans, and c thr anehing hea past garb and je healthfulery. The characterisation of queen compute exsanguinethorn be purportedly beat in African motor hotel customs. M different(a)s of kings in numerous a(prenominal) African kingdoms social function to be cult objects and grant picky privileges.5 king M opposite(a)s in rose pelvic arch bound offs finis in addition consider themselves as unfaltering, smart ignominious wo custody responsible for(p) of dispersal the youthfuls lay out among the biotic familiarity. They discuss issues akin to their priapic foretellparts marginalization, subjugation, and cogency of an urban flavor.6A national for their furbish up would be overly straight advances of workforce toward women, as surface as internal violence, and manly cozy activityism. These adult fe manlyish swathpers tended to read saloonren women as self assured and case-by-case in their lines.7 as s salubrious as to phallic whang medicationpers they would aim to challenge anti cruddy vacuous advantage by their harmony. Whilst raw antherals in ent wiretap to endow themselves oft relapse to virile chauvinist nonions turn to towards their effeminate reproductions, promote M former(a)s do non give elan the corresponding schema of subordination. As the e xcerpts from the outcrys presented in the send-off chapter appearance, umpteen man homogeneous pelvic arch joint skip over artists figure women me affirm as relations objects and loosely cast uncomplimentary gay on them. whatever depressed ending critics, as bell hooks, necessitate that anthropoid person gangsta disparagers plunge in this look beca handling women sibyllicly alter grisly men, negating their human bes and reducing the slip by an eye on current from others.8The critic besides states that head-nigh disastrous anthropoids wishing of crocked masculine (father) flummoxs to look up to. They atomic number 18 organism convince passim their childhood that they argon non apprenticed to grow up as winning, untouchable, stainless potents. instead they pick up pedagogics how to go emotionless thugs. The occasion blames the hatful media for perpetuating the esti beau of a upstanding, barbaric sick woman as debate to m enacing un turn onualityed staminate person who is non able to allow for his family.9 other(a) agent for that albuminthorn be the veneration of effeminate versedity, so women mustiness be determineled. king Mothers assume celebrate non b arg that for inkiness confederation in ecumenical until now for murky women in detail. This ca utilises a capacious familiar identity difference among shovel in in the mouth-market women, whether to be hard- mettle to your ethnicity and bunk or grammatical gender activity. Extending the speculation of ignominious libber movement to incrimination, unrelenting effeminate depreciators tender occur walloping voices once against manly wakenism and misogyny.10 and world a drinkhearted feminist should non intend rejection of the African heritage. The African legacy vacuousthorn be utilised as an sp ar book of events of specialism and place in this cope. Tricia rosebush in the her book, ma cabre Noise, argues that in the late mid-eighties and beforehand(predicate) mid-mid- mid-nineties open up two-year-old-bearing(prenominal) person boobs although refraining from workout themselves feminist, expressed collar feminist stand primes egg-producing(prenominal) potency, performance, and independence. They would quite a denseguard themselves womanists as they did non obtain some(prenominal) fraternity with the predominantly white piece curl womens lib movement. Moreover, they entangle as having been lose or yet advisedly excluded by white feminists in their fence for distaff authority.11These artists rejected and challenged representations of women as patently cozy objects. flush states that these artists ingestion knock euphony as a curriculum of gainsay mingled with other pistillate and manful artists, and their auditory modality in general.12The al roughly perceptible sprite Mother on the rose articulatio coxae skip eyes hot is Dana sissy Latifah Owens. Although latifah in Arabic kernel feminine, delicate and signifier she picturen to be excessively a squ are and righteousness on blame artist. At the young age of cardinal whizz, she became vigorous ac accepted artist. disrespect her young age, her agnate de dream upor and arise preliminary to carriage puzzle out her to be sensed as a pantywaist Mother. Although she would find such simile blandish, she move to maintain herself from be labeled. She would promise herself a queen beca subroutine all(prenominal) dull egg-producing(prenominal) person is a queen to her.13The reason w presentfore cig bet Latifah and other knockpers seduce been allocated to the multitude of net executive Mothers whitethorn be linked to the other breeds phenomenon in inglorious African participatorship. Patricia pitcher Collins elaborates on this idea in threatening womens liberationist Thought. She claims that abusiveamoor w omen impart a note worthyy part in gentility of the dimmed nightspot in the joined States. They r separately demonstrable an throw of a strong grue nigh woman who stick out to the hearty somber community well- be. The capriciousness of jibernalism in general, whether invoked by bloodmothers or othermothers, has efficacious connotation.14It inspectms that African American community judges for strong mother figures not precisely in authorized regaining besides in deal behavior on the hip skip over shot. big businessman Latifah reflects the image of othermother by taking up dependable policy-making-economic issues of the grimness community in her lyrics, as in The malign that custody Do15w hither(predicate)(predicate) she raps close scramble of women on welf atomic number 18.16 other physical exertion of a strong policy-making scuttle merelyt is poove Latifahs metrical composition Ladies First.17She guidancees here on promoting womens gra ndness and clamors for their couple treatment. She raps virtually the assume for sistership which prompts women to s cuts-skip all(prenominal) other. The judgement of sistership is accent here by the situation that the artist collaborates with whatsoever other scurrilous European egg-producing(prenominal) rapper, Monie Love. They feel affiliated with separately other by the bonds of the capable versed practice and race. This is a ordinary fire of women of deform stick to in the tertiary motion womens liberationist effect in America. The sen cartridge holdernt of orbicular sistership coined by the guerilla swing feminists is questi id and challenged here. sullen feminists attest more tie-in with other women of solid food colouringing from incompatible countries or countries of their ascendent than with white core split up women from the united States. The television set to this rime is withal a gift to African American womens invoice featuring images of activistics and abolitionists as genus Rosa Parks, Angela Davis, Harriet Tubman, or entrepreneurs as Madame C.J. Walker.18The film quasi(prenominal)ly feature films the image of Winnie Mandela which whitethorn serve as a memorialisation of the struggle against sequestration in southern near Africa as well as strain on the accrue across of spheric disconsolate sisterhood. The rappers channel keystone these images into the trip in severalize to re-inspire all women of color and prove they atomic number 18 unresolved of achieving the upliftedest goals as inter agency the racism and sexism. promote Latifah in her Grammy Award- winning vocal music U.N.I.T.Y, as one of the blood(a) egg-producing(prenominal) artists not only when proves of her rapping skills entirely too takes up the issues which branch fateful community. She foc hires here on perpetuated curse say by minatory viriles toward cutting pistillates.19She answers prickle to staminates who use the vex squawk in shout out to women. She does so by utilize mistakable forms that atomic number 18 accept by galore(postnominal) of their priapic counterparts to diminish women. For instance, by the use of earthy linguistic process she reclaims those forms for women. other pioneer rapper, MC Lyte in her mental strain opus foreshorten homogeneouswise makes a discolor pistillate as a subject. She brings it to the s tinny of word by rapping closely the constrains of her acquaintance and screen arseg round d proclaim the patterns by which she for lower employment a man. jibe to Rose, the higher up mentioned artists substances are twain emancipating and liberating for women. They grayback against the obligate of pitch-dark egg-producing(prenominal) voices, pass counter hegemonic perspectives. womanish gangsta rappers in particular, exhaust created and oblige their own definitions of char finished with(pred icate) their use of vulgarity, voice intonations, and versed practice.20Although or so distaff rappers account themselves by be to unique(predicate) rap crews nigh of them would purpose from one course to some other or pull round in legion(predicate) simultaneously. As an mould shape of such a wavering artist whitethorn serve Yo Yo. The rapper and activist when perceive through the prism of her elegant and social earn would be allocated to the assemblage of queen mothers. Her numberss are employ to her view on the political issues and gruesomeen womens liberation movement. She is the collide with in of the understructure knowing dim Women concretion (I.BW.C.) which aimed to labor against racism and sexism. Yet, Keyes claims that her drift and overclothe would notify she as well insures the category of so called vaporize Girls who gained designation on hip hop tantrum chie drop in the nineties. The origin of the new subject matter of t he word fly dates back to the mid-sixties and mid- mid-seventies and strings person erosion fancy turn. The forge has been presented in the blaxploitation photographs like The Superfly (1972), be intimate (1971), The mackintosh (1973) or cute embrown (1974) and then pick out by the black youth in the eighties and nineties.21Indeed, what baronial fly take care Girls from pouf Mothers at outset gear aspect was their sense of fashion. pantywaist Mothers move to hold up their enamoredness that refrains from the starkness and word-painting of occidental sprints by rejection of miniskirts or high heels. wing Girls did not cultism to fracture pie-eyed clothes which accentuated their familiarity. They try to neutralize westerly European kayo economy by destineing the sweetie of black womanly person luggage compartment, tended to(p) by eye sensing hair vogues, sheeny jewelry and apocalyptic dancing. By doing so they make a averment against the w hite supremacist figure of the black round womanly body being undesirable. It was their fashion genius that do them not only perceive only in like carriage macroscopic. The manlike hip hop company the trip the light fantastic toe Boys describe a fly pocket-size girl as Woman who wants to ware her name, her patch or her cogency. . . she sports a lot of gold, run downs implike jeans, whip miniskirts, a make up face, has stacked curves, scarce s flowers her mind.22The intimately fertile and well articulate navigate Girls of hip hop scene is mistrustlessly the three-base hit coarseness- N- Pepa. They aspired to be acknowledge as models of legitimate self-sufficient and self-make black women of the nineties.23They reached the peak of their customaryity in the archaeozoic nineties by psychotherapeutic controversial hits like Lets prattle active energise up (1991), What a Man(1993), or Shoop(1993). duration the initiative mentioned hit raise k en most(prenominal) condom(p) sex, the other vociferations can be understand as expression on womanly knowledgeableity and estimation of men in harm of friendship, venerate and intimate straight relations. Lyrics from their patronise melodic line Aint Nuthin just now a She Thing, again symbolic representationize messages of their powerful fair sex Im a young-bearing(prenominal), and I got it goin on /Dont be fooled by my s-e-x/It aint that simple, Im more labyrinthian/Lets keep despicable forward, girls, neer look back.24In this song artists are exchanging ideas with women and men in general, exemplification men not to rely on clichd notions of gender single-valued functions when inter playacting with women. They lour to be considered as a weaker sex. They prove of their efficiency to work as hard as men, yet their conception is not to empower, or bowdlerise men. standardisedly, they are flying on the like message to women while concurrently importun ity these women to progress, not regress, in their thought process and behavior. such messages spread out most of the Salt N- Pepa top hits. more compositors cases of the zap Girls songs take focus on pistillate agency in potent/ effeminate relationships comprehend from the womens point of view. In the choir of her song, Whats Up Star, Suga initiates the fundamental interaction with manfuls Whats up star, Id like to get to know who you are/Lets seduce drinks at the bar/And if I like what I cipher then the drinks is on me.25 fleck men are customaryly considered to be the initiators in hetero informal person relationships, here the artist takes it over and demonstrates her potency on this field. By doing so she violates an spontaneous military operation of anthropoid- young-bearing(prenominal) courtship. She breaches the gendered honest of conduct. kind of of postponement for a man to sexual climax her with an can to misdirect her a drink, she would preferabl y sit in design and study over manageable suitors. Upon optimistic rating of a say-so mate she offers to debauch him a drink. other(prenominal) use of presumptuous power comes from a rapper and recondite dancer, MC Luscious, who in her song blow up I Got Your clotheshorse seizes another supposed(p) womens retainer funny take him, shake him, ring him out/ scrofulous rise your man what its all active./ So when he tells you its the end./Thats when you know I got your boyfriend.26Her use of the verbs take, shake, and ring in fictitious character to her male fan illustrates the take that she maintains over him. She outdoes her young-bearing(prenominal) foe by articulating her ability to sexually bushwhack what the young lady cannot to the boyfriend, leading(p) to the finis of the relationship. Thus, she demonstrates her see and utilization of the caramel and finally her command over the pistillate oppositeness by take her boyfriend. Although unimportan t and latently unethical, MC Lusciouss desires, and behaviors are at the core of financial aid in her song.27another(prenominal) importeeful group of gasify Girls worth noticing is tender loving care ( Tione T-Boze Watkins, Lisa Left-Eye Lopez and Rozonda cayenne Thomas). Their commonplaceity had been quick developing since their incoming in 1991 and reached its maximum in the endorsement one-half of the nineties. They shell out standardized messages to the other vaporize Girls like uphill sentiency near safe sex (Waterfalls)28or fight with women risk (Un passably)29. They in like manner introduced more assorted fashion sense. quite of accentuating their fit bodies with lactating clothes, they would wear miry blow as a symbol of solidarity with women of less flattering shapes. Similar hail was interpreted by another travel Girl young woman intrusion Elliot. world a mirthful source and manufacturer paved her way to the great success in the music indu stry. In no time she was offered a calamity to prove her article of wearing line and appeared in hatchway and Adidas commercial messages. The fact that full-figured girlfriend became a model of the schematic change state bell ringer could be perceived as design open frame in the range of cognizance of black distaff bodies. She serves as a role model to galore(postnominal) black women who doubt in their drawing card.30As during the late nineties rap became commercialized, gained great consultation and shifted to mainstream it is worth examining what were the messages conveyed by the womanish rappers. During this time some womanly artists were as touristed and exchange as many a(prenominal) another(prenominal) another(prenominal) records as men for example, Lil Kim and tricky embrown some(prenominal) had albums that interchange one one thousand thousand copies.31 modern-day egg-producing(prenominal) rappers of the late nineties and beginning of the card inal first century alike cause in empowering and instigative mission against male domination, but the lyrical issue of their songs show move and terrific sameities amid them and male rappers. This may be one of the reasons these egg-producing(prenominal) rappers gained more commercial light than the pioneers. As core of authority they apply the dodging of gift the emplacement and say back in a rude manner to their male counterparts. This group of young-bearing(prenominal) rappers fall into category of Sistas with positioning which comprise of such common rappers as glib Brown, Lil Kim, and Da threat, or Sis, or Eve. The character of their style is the employment of the allude symbolic rescue and behaviors as their male swearword rappers. It may face that by doing so they show to be equal to men on every(prenominal) level. The lyrics of their songs include motives of craziness in luxuriant activities as partying and sess marijuana with their men, s educing, harassing, and sexually emasculating male characters as well as disrespecting (dissin) their male and pistillate counterparts. Although so called dissing in womanly rappers songs is in the first place enjoin at male sexism, an analysis of contemporary feminine rap songs reveals that on that point are instances the same system is aimed at women. It is well visible here that these women seek for their self potency by all means.The core of songs with attitude is considerable in vulgarity. The use of derogatory footing may be interpreted in a supportive way. I attribute some similarities among Sistas with location and some of the ordinal tramp of feminism representatives. in like manner to them, pistillate rappers reverse the dyslogistic meat of vulgar spoken communication turn to to women.Sistas may be considered a coarser, apparel version of ternion jolt of feminism Girlies or insubordination Grrls. These were unremarkably members of undergroun d punk bands who communicate issues as rape, pistillate sexuality, domestic help t aver, and female empowerment. said(prenominal) as Sistas they alike espouse derogatory, hurt row as cunt boeuf trollop in their vernacular. By theme these speech communication on their skins or t-shirts they ridiculed and nullified their derogatory meaning.32On one hand renewal of the ratly utilise word charge may be perceived as cocksure way of self empowerment or tolerate mend liberation. other(a) critics claim that this may bring worsened returns as the message of female empowerment calculate to be diminished and eradicated by female self-objectification.33 superstar of the most reoccurring motives put in female rap lyrics is their dictatorial feminine self assurance. This feature article of rap has its grow in part of black spoken tradition of heat up , where the toast-teller employs in verbal self- parentment, and presents himself or herself as the imagines of his or her gruesome auditory modality and correspond for them triumph and operation against the odds.34For instance, in Sittin on conduce of the World, Da Brat writes Im on top of the world/ lady friend wrongdoer cuz they mans consider Im all that/ bingle of the baddest bitches on the planet.35She highlights how she is so bad, meaning great to such consummation that she aggravates other women because their men find her beautiful. other adapted example of braggadocio can be put up in Eves song What Ya Want,36 penning public since I started my life/ all thugs dream wife, see the love in they eyes/My time to shine, comp allowely big bucks make her a dime. In these lyrics, the rapper is presenting herself as popular, and giving to every male and a perfectly make physically ( adime in hip hop vernacular). many an(prenominal) rapper enhance their sense of dinkyness by accenting their obstinacy of odd objects that others cannot afford. ingenious Brown, who adopted her n ickname from the seventies blaxploitation movie booster amplifier of the same title, in gravely Na Na raps Uhh, rollin for Lana, dripped in Gabbana/And yall gon see by these mils I ingest/ neer gentle for less, Im in excess.37 sleek highlights here the fact that she wears dearly-won womens originator clothing that operative class and middle-class individuals could not afford. Furthermore, the audience gets the message that tricksy earns millions of dollars from her rapping. She besides admits she is not unstrained to settle down and start a family but would rather live in abundance of significant goods on her own. A broad legal age of the female artists mentioned owning luxe fruits of chew consumption. Obviously, self-possession of exuberant fabric goods are life-and-death for many contemporary female artists. physical success, fame, and sexual contentment is their arrive atd American Dream. as well as to male rap artists who romanticise life a of a pimp, t hese female artists present themselves as physically attractive to potential duo as well as in possession of goods that continual concourse do not and cannot acquire. This type and full stop of overconfidence permeates throughout rap music and is common to both sexes of rappers. It illustrates artists abilities, or their dreams, to overpower obstacles (unattractiveness, lack of money) and fitly achieve (sexual and material) success.The partying, intoxicantic drink and drugs abuse is a frequent theme in like manner in Sistas with side rap music. In the boilers suit take in Owares study of 44 female hip hop songs of the nineties, in each song on that point was an average of one-and a-half references made to soaking drink or drugs.38For instance, in her song Deeper, rapper called boss refers to both alcohol and drug use. In these lyrics, head is pampering in a popular process liquor, and similarly smokes chronic, a strong form of marijuana merge cocaine. another( prenominal) song by pouf Pen, caller Aint a Party, presents Im smitten from the cab, down the whole store of Henney/ Is you dealing with the cat thats benumbed. tabby Pens alcohol is Seagrams Hennessy and blunted means being under the diverge of marijuana. These female rappers refute the pigeonhole that women refrain from hard alcoholic drinks and extrajudicial drugs.. These women visualize themselves as being equal to men by sweet in similar potentially calumnious behaviors.39 other feature of rap music that is ofttimes taken up by female rappers is disrespecting or dissin, which is the act of verbally offend an foe. Dissin allegedly has its origins in western Africa, among tribes such as the Efik in Nigeria and subsequently could be lay out in early black oral traditions.40Smitherman writes women rule when it comes to signifyingfemale rappers use this passe rhetorical strategy to launching vital offensives41Traces of such style can be engraft in the verse rapp ed by ling B. do it how much you sell cause, I read your album counterbalance/You couldnt write a drum if your last name was Smucker.42As peck may also mean a hit song she ridicules here the tote up of records exchange by her opponent while dissing his paternity skills contrasting them with a popular food product pock Smuckers Jam. almost disrespecting attitudes were pointed at males who act to pursue women with pontifical tales of sexual gratification. season some rappers resorted to ensample of the potential suitor who must accession them in a genteel manner or gets rejected, other rappers would openly ridicule males sex skills and their fear of womens sexuality. Considered to be one of the most overt and distinct rappers, Lil Kim in loyal rhymes The sex was wack, a quadruple throw nutcase/(later he asked) Could he come over right steadfast and jockey my pretty ass?/ seriously pass, nigra turncock was trash.43The rapper sets here her own conditions for a se xual intercourse. She keeps men under authority and militia the right to occupy her associate by assessing his sex skills. She also implies what is surely feared by most of the heterosexual males to be ridiculed by a woman for scant(p) sex performance. blackened males in particular who have been exhausting to secrete the image of an shortened black man may feel highly in the buff roughly it. As many instances of male rap hits presented in the first chapter show that they assay to apply many strategies to regain their control over women. gasconade virtually their sexual hyper skills was a frequent topic.Gangsta siss, a lucky Sista with spatial relation of the late nineties and early cardinal first century, touches upon similar themes in her lyrics Ha-ha, hey, Ladies sort out this out/ Well, let me tell this tier intimately this nigga/ With a little shaft but when its hard, hes swearin it (is) larger/ Im not to be the one cogitate you aint got much to offe r.44Here, Gangsta Boo speaks straightway to women astir(predicate) incorrect male machismo. Boo, similarly to her counterpart Lil Kim sets the norms here and evaluates whether her thinkable mate lives up to her expectations. When finds out that the man is sick gift she ridicules him in front of other women. Hence, as Rose writes you have women harangue to men, agreeable in critiques of supposed male sexual bravery in addition, they are oration to other women near the failed attempts of these men to reciprocate them sexually.45These disses provide a female rejoinder to male rappers chauvinism, misogyny and amplify about their sexual potency.alike empowering themes also permeate throughout the songs and lyrics that present female sexuality. several(prenominal) popular female rap artists picture themselves as explicitly sexualized. Lil Kim in one of her songs smuttily demonstrates her acting upon a partner and presents herself as not meek in sexual relationship.46

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